What does an Elizabethan mathematician, a northern pre-industrial town, and Beelzebub have in common? Answer? They all appear in the tale of John Dee and the devil in Manchester.
Dee, immortalised in the opera Dr Dee by Blur’s Damon Albarn, is a fascinating figure in Britain’s occult history. So without further ado, let’s pop back to the late sixteenth century and find out how Dee and the devil met up in a library…
Who was John Dee?
Born in 1527, John Dee became an advisor to Queen Elizabeth I. He was also Queen Mary’s astrologer, an astronomer, mathematician, and philosopher.
In those days, people treated astrology like a science. They drew up charts for all sorts of events to see how they might go. None of this cheap newspaper nonsense for the Tudors!
Anyway. Many agree Dee was also a magician. His occult experiments led to his imprisonment for heresy in 1555. Many consider him the inspiration for Prospero in The Tempest. His assistant, Edward Kelly, claimed to be a necromancer (read more about necromancy here).
Dee travelled around Europe after his release from prison. Some believe he worked as a spy for Queen Elizabeth. If rumours are to be believed, his code name was (I kid you not) 007.
Sadly, locals trashed his house while he was away. He returned to find his home ruined and asked Elizabeth for help. Her solution involved asking the Archbishop of Canterbury to find him a job. While Dee hoped for a position in Winchester, the Archbishop offered him the post of warden at Manchester Collegiate Church. He moved to the city in 1596.
Some of his personal belongings still reside at Chetham’s Library in Manchester.
What’s Chetham’s Library?
Chetham’s Library is the oldest public library in Britain. It dates back to 1653, and houses over 120,000 books, manuscripts, and maps. The original goal was to create a northern rival to the libraries of Cambridge and Oxford. Karl Marx and Friedrich Engels once used its books and you can still see their desk in the reading room.
The library holds five of his books, including Conrad Gesner’s De remediis secretis. Printed in 1555, Dee wrote Joannes Dee 1556 on its title page. You can see some of the books on the Chetham’s Library website.
So what’s the story about John Dee and Manchester?
He didn’t exactly relish the move but he hoped he could continue his occult studies in relative quiet. Sadly, others at the Collegiate Church treated him with open hostility and he went back to Mortlake in London in 1605.
But before he did, many believe Dee summoned the devil in the northern city.
This is despite Dee’s fascination for angels, and his unwavering belief he could contact them for guidance. His aim in talking to angels was actually a pretty noble one. He wanted to unify mankind and thought learning the language of creation might help. Some scholars think his interest in maths stems from a similar place – understanding what goes on beneath the world we can see.
For Deborah E. Harkness, “the angels gave Dee the exegetical and restorative tools to read, understand, and rectify the Book of Nature. The angel conversations thus represent Dee’s attempt to practice natural philosophy at a time when many thought that nature, time, and the world as they knew it were approaching their end” (1999, p. 4).
But back to the demonic end of the spectrum. According to the legend, Dee conjured up Lucifer for his advice. No one knows what advice Old Nick passed on. But a burn mark on a table was allegedly made by one of his hooves.
You can find the table in the Audit Room at Chetham’s School.
Rumours like this fuelled the hatred towards Dee. If that wasn’t enough, plague broke out in the city, killing Dee’s wife and two of his seven children. (Though some sources say he lost four children.)
By this time, Elizabeth I’s death led to the coronation of James I. He denied Dee’s request for a transfer and Dee returned to London in disgrace.
A Royal Conspiracy?
Parliament passed the first Witchcraft Act in 1542, which handed the death penalty to those found guilty of practising witchcraft. Parliament repealed the act in 1547 but restored a new version in 1562.
It’s possible Dee fell foul of James I’s hatred of witches. The earlier laws only covered dealings with spirits as a crime if it caused actual harm to another person. This made his attempts to contact angels legal since it didn’t involve third parties or injury.
But the 1604 Act meant the death penalty for anyone who invoked evil spirits. Obviously, you could argue angel magic still wouldn’t fall under this bill. Who would claim angels as evil spirits? But given James I’s interest in demonology, Dee still worried about his status. James ignored his petitions and the bill became law.
It’s a shame Dee fell from grace during his time both in prison and in Europe. Before his imprisonment, he’d amassed an enviable occult library. Most of it disappeared during the ransacking of his house. While some of his documents are viewable online, he remains a shadowy figure in English history.
Dee and the Manchester Psychogeographers
Some believe Dee lived on an old street in the area where the Corn Exchange now stands. Others dispute this, saying it was more likely he lived at the college.
But a note from Dee on August 19, 1597, suggests he received the Earl and Countess of Derby at ‘Alport lodging’. Alport apparently refers to an old village at the end of Deansgate. For those that don’t know Manchester, that’s the opposite end of Deansgate to the Corn Exchange. So it’s possible he had two homes but it’s unlikely one of them was under the Exchange.
Anyway. In February 1996, the Manchester Area Psychogeographic group believed the Corn Exchange was the site of Dee’s former residence. They tried to levitate the building on the anniversary of his arrival in Manchester. The group walked anticlockwise around the Corn Exchange three times, “made a public declaration”, and waited to see if the building moved.
I’m not entirely sure what that was supposed to achieve, either.
Either way, John Dee continues to have a hold on the creative imagination of artists and writers alike. While many people focus on his time as the advisor to Elizabeth I, others explore his angelic communications.
He’s even the subject of an artistic ‘conspiracy’. X-rays of the Henry Gillard Glindoni painting above showed a ring of skulls surrounding John Dee. Experts think it shows an ‘airbrushing’ of his magical tendencies.
It’s unlikely that he conjured the devil in Manchester. But the fact the story persists, and that 400 years later, a group of psychogeographers could try to contact his spirit, shows how enduring his legend remains.
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