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What Charms Did Witches Use In Their Magic Spells?

June 6, 2020 by Icy Sedgwick 7 Comments

Charms and rhymes characterise our memories of witchcraft from fairy tales, classic literature, and fantasy films. Do “Mirror, mirror, on the wall” or “Hubble bubble, boil and trouble” ring a bell?

Pop culture lets witches speak cool or pithy charms. But what charms did actually witches use in reality? Let's check the historical record!

Many of these famous examples are invented for the purposes of fiction. But charms occupy a real place in the historical record, used as proof of witchcraft during trials.

An image of a witchcraft trial.
By Baker, Joseph E., ca. 1837-1914, artist. [Public domain], via Wikimedia Commons

According to a short article in the Newcastle Daily Chronicle, a woman believed an imp plagued the tenement where her husband lay in his sick bed. She bought a charm to chase the imp away but “[t]he charm did not work as was predicted. It was not in nature to suppose that a sixpenny charm could suffice in such a serious case. A change in the form of incantation was characterised by a considerable rise in the price of charms” (1869: 2).

As with everything else, you get what you pay for!

Charms are often short rhyming verses, recited to accompany an action or in the making of a talisman. You might think they sound similar to spells, and in some ways they are. Spells tend to refer to the overall piece of magic, whereas the charm refers to a smaller part of it.

But we’ll be looking at the shorter, less complex charms in this post. Let’s explore some charms from the historical record!

Charms to Steal Milk

In Scotland, some people accused witches of stealing milk from their cattle. Robert Chambers, quoted in an 1890 edition of the Newcastle Courant, explained that the witch made a rope from hair plucked from cows’ tails.

An image of a cow.
The story doesn’t explain how the witch got the hair from the cow’s tail.

She tied a knot in this rope for each cow. The witch apparently held the rope above a bucket, using it to mime the act of milking. While doing so, she would recite:

“Meare’s milk and deer’s milk
And every beast that bears milk,
Between St. Johnston and Dundee,
Come a’ to me, come a’ to me.”

This would apparently cause the milk to appear in the bucket of its own accord. Some cows apparently knew when this was going on and alerted their owners by lowing. According to Chambers, “[a]n acute old woman could easily distinguish this low from any other, as it bore a peculiar expression of pain” (1890).

Laying rowan twigs, bound together with red thread, across the door to the barn could stop the witch’s power. In Aberdeenshire, farmers tied a red thread around the tails of their cows.

Charms to Shapeshift into Animals

The ability to transform into an animal became a common theme within beliefs around witches. Hares in particular could be hunted if people believed they were witches in disguise. Charms became the way to effect the transformation.

Famed witch Isobel Gowdie provided a range of charms during her ‘confession’ in 1662. According to legend, she’d met the Devil twice; once on the road, and once in Allerne’s kirk. To baptise her in his Satanic ways, the Devil sucked some of her blood out of a scratch on her shoulder. He spat this into his hand and baptised her with it.

When she (or other witches) wanted to turn into a hare, the charm read;

“I sall gae intill ane haire,
With sorrow and sych and meikle care;
And I sall gae in the Devillis nam,
Ay qubill I com hom againe.”

To turn back into human form, they recited;

“Haire, haire, God send thee caire:
I am in an hairis liknes just now:
But I salbe in a womanis liknes ewin now.”

An image of a hare.
Hares were apparently a favourite shapeshifting choice for witches.

They could also turn into cats;

“I sall gae intill a catt,
With sorrow and sych and a black shat;
And I sall gae in the Devilis nam,
Ay quhill I com home againe.”

Or crows;

“I sall gae intill a craw,
With sorrow and sych and a blak thraw,
And I sall gae in the Devilis nam,
Ay quhill I com hom againe.”

(All taken from ‘Witches Riches’, 1890). If you try any of these, you do so at your own risk…though I’d be fascinated to know if they worked!

Charms to Raise Storms

Sailors feared the ability of witches to raise tempests. Even King James I became convinced that witches caused the storms that kept his wife-to-be from leaving Denmark on her way to Scotland. This partly explained his vehemence against witches which led to the publication of Daemonologie.

It wasn’t just kings that feared these powers. Parents instructed children to break any eggshells to stop witches using them to sail out to sea. (Click here to read a short story about a storm-raising witch)

An image of a storm at sea.
‘Ships in Distress on a Stormy Sea’ by Jan Porcellis [Public domain], via Wikimedia Commons

But raising storms sounds like a fairly easy spell. All they needed was a wet rag and a piece of wood. While beating on the rag with the timber, they chanted the following charm three times;

“I knock this ragg upon this stane,
To raise the will in the Devilis nam;
It sall not lye until I please againe.”

To end the storm, they dried out the rag and repeated another charm three times;

“We lay the wind in the Devillis name,
It sall not ryse quhill we lyk to raise it againe.”

(All taken from ‘Witches Riches’, 1890).

None of the sources explain why witches wanted to raise storms in the first place. Was it a demonstration of power against a society that shunned them?

Or perhaps they were trying to prevent someone from reaching land, as in the tale of the Laidly Worm of Spindlestone Heugh. The wicked queen raises a storm to stop Childe Wynde, her nemesis, returning to save his sister from her evil spell.

Charms to Preserve Life

Jo Bath relates a charm intended to act as a form of literal life insurance. In the 1670s, Peter Banks, a Newcastle-based cunning man, sold year-long ‘leases’ for 20 shillings. These ‘leases’ prevented the holder from dying in that time. Sailors loved the leases, which took the form of paper charms. The wording read;

I charge you and all of you in the high sword name to assist and bless [the person] belonging to such and such a ship … from all rocks and sands, storms and tempests, thereunto belonging for this year. (2002: 12)

Those sailors who survived returned to buy a new one every year. Though the account doesn’t explain how they felt when they learned other sailors died (implying their lease had failed).

The wife of a shipwright discovered her husband had bought one of Banks’ leases. She burned it and Banks warned her she’d never be worth a groat (fourpence) because of her actions. It seems her family’s fortunes declined so perhaps Banks knew what he was doing?

Charms to Defy Witchcraft

The belief in, and fear of, witches was a very real thing in earlier centuries. Protecting yourself from witchcraft involved a range of superstitions and, you guessed it, charms. Making witch bottles was a way to divert the power of a witch back towards him or her.

An image depicting a 'no entry' sign for witches.

An 1800 anti-witchcraft rhyme from Teesdale apparently kept witches at bay;

“Witchy, witchy, I defy thee!
Four fingers round my thumb,
Let me go quietly by thee!” (2002: 47)

I’m sure the irony of using charms, associated with witches, to repel witches wasn’t lost on them. Though, if the reciting of charms made you a witch… well, I’ll leave you to work out the rest.

It’s possible some witches believed in the power of their charms. Choosing rhymes made them easier to remember and possibly pass on to others. For others, they may have chosen to recite simple rhymes to make a boring task more exciting.

Either way, charms pass into legend, their original uses often stripped away when they pass out of history. And in all honesty, what’s the difference between a witch chanting a charm over a cup of tea to boost her mood…and a New Age ‘spiritual’ person chanting affirmations to improve their self esteem?

Which charms would you use – and why?

References

Bath, Jo (2002), Dancing with the Devil: And Other True Tales of Northern Witchcraft, Newcastle upon Tyne: Tyne Bridge Publishing.

Unnamed author (1869), ‘Modern Witchcraft’, Newcastle Daily Chronicle, August 21, p. 2.

Unnamed author (1890), ‘Witches Riches’, Newcastle Courant, July 5, p. 1.

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Filed Under: Folklore Tagged With: #FolkloreThursday, Magic and Spells, witchcraft, witches

Reader Interactions

Comments

  1. Mac McCord says

    October 4, 2018 at 6:13 pm

    A fun article… thanks!

    Reply
    • Icy Sedgwick says

      October 4, 2018 at 7:32 pm

      Thank you!

      Reply
  2. Nathan-Andrew says

    October 4, 2018 at 6:39 pm

    Hello Icy. Have you been to the SPELLBOUND exhibit at the Ashmolean? In case you haven’t, I’ll just mention that it has a roomful of magical protections against witchcraft. Amazing stuff.

    Reply
    • Icy Sedgwick says

      October 4, 2018 at 7:32 pm

      I haven’t been but I’d really like to go!

      Reply
  3. Lydia says

    October 8, 2018 at 11:55 pm

    I hadn’t realized that earnest belief in witchcraft was so widespread in the past. Do you have any idea when people started thinking about it more skeptically?

    Reply
    • Icy Sedgwick says

      October 9, 2018 at 2:07 pm

      I have a feeling it was during the Enlightenment when scientific ideas began to take hold. Though ‘ordinary’ people probably continued to believe in it well until the 20th century. I have a feeling it seriously began to wane when Spiritualism took off.

      Reply

Trackbacks

  1. Halloween spells for Protection, Romance & Loved Ones - Icy Sedgwick says:
    October 25, 2018 at 11:38 am

    […] crossed your fingers while buying a lottery ticket? Same thing. Keeping it simple, much like the witches’ charms we looked at, is your best bet for […]

    Reply

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Who is Icy Sedgwick?

icy sedgwick

Icy is a folklore blogger and host of the Fabulous Folklore podcast. She is based in the north east of England, where she was born and raised amid the folk tales and legends of Tyneside and Northumberland. Icy is fascinated by history, cinema, art, and the occult, and griffins will always be her favourite mythical beast. She also writes dark fantasy novellas, Gothic short stories and the occasional weird Western, and she holds a PhD in Film Studies!

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